![]() Play the scale in different intervals like 3rd, 4ths, or triads:Īlong the way, you should also practice creating simple melodic ideas with the notes and structures within the melodic minor scale. Play the same scale starting on different notes: ![]() *Aim for the raised 6th & 7th tones of each scale: To start, learn the melodic minor scale in every key. Here are a few ideas for the practice room: The melodic minor scale contains intervallic content that is not found in traditional chords and modes, and ingraining this scale will add some new technique into your playing. In this lesson we’ll show you how modern jazz harmony and tunes often incorporate chords derived from the melodic minor scale and how you can apply the melodic minor scale to these sounds. The melodic minor scale is simply one tool to use as you improvise over chords and progressions. Remember, it’s important to understand functional major & minor harmony as it’s used in the vast majority of jazz tunes before you rely on a single scale to improvise. Think of it as a melodic tool that can be used to augment your approach to minor harmony and a means of exploring sounds outside of traditional progressions. The melodic minor scale is not a naturally occurring scale found in functional harmony, rather a natural minor scale that has been “altered” to tonicize the root. The melodic minor scale is simply a natural minor scale with a raised 6th and 7th scale degree… Let’s get started… What is the Melodic minor scale? But what many players don’t realize is that this scale encompasses much more than 8 notes to drill in the practice room…Īside from a minor scale variation to memorize, the melodic minor scale presents a number of unique melodic and harmonic possibilities for any player looking to expand their musical vocabulary beyond diatonic chord progressions.Īnd as we’ll show you below, this is a scale that you can utilize over major, minor and dominant chords equally well. Most musicians playing contemporary styles would practice it in the jazz way, which is the same up and down.The melodic minor scale is a scale that every musician should be familiar with and eventually master. In other words, it was only melodic minor on the way up, and reverted to regular minor on the way down. Traditionally the melodic minor was formed as a major scale with a flat 3 ascending, and a pure or natural minor descending. While the melodic minor is a very old scale, the scales here fall under the category sometimes known as the “Jazz melodic minor”, which is slightly different. For instance, D Dorian b9 would be the same as the second mode of the C Melodic Minor scale. But remember the patterns are all derived from the first one. Here, all of the modes of the melodic minor scale are presented as they would be if beginning from C. But that's okay, sometimes it just takes a long time. It may take a long time to apply these to your playing. So learn all of the fingering patterns, and practice them all from the root of C, and also as a group of modes relative to each other. These scales can give you some new sounds that you've never encountered before. ![]() We're going to play all of these modes with a root of C, but it's a great idea to practice them as modes of each other for instance, F melodic minor, G Dorian flat nine, and the like. We're going to talk about the melodic minor and its various modes. ![]()
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